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Mitch Epstein, Fraternity
2006
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Mitch Epstein
Fraternity, 2006
1836

vol. 7 Mitch Epstein photographs Siddharta Deb text Pierre Charpin case The author describes the daily life of two students at the University of Calcutta who come from very different social backgrounds, which they are both trying to escape from. The minute detail in which the author records their physical and mental movements and every change in mood finds its resonance in the refined prosaic nature of Mitch Epstein’s photographs. Pierre Charpin designed a traycase with a blue lacquered lid as an echo of the photographer’s strong emphasis on color and his ties with the Memphis movement. The text is fractured into seven modules, each contained within a uniform yellow form whose outlines recall the design of the casing. Mitch Epstein Mitch Epstein was born in 1952 in Holyoke, Massachusetts. His is one of the pioneers of color photography in the United States. His photos have been exhibited in numerous institutions throughout the world and form part of such prestigious collections as the Metropolitan Museum, New York, the MOMA and the Whitney Museum of American Art, New York. To this day he has had five books published: Recreation: American Photographs 1973-1988 (Steidl, 2005), Family Business (Steidl, 2003), The City (powerHouse Books, 2001), Vietnam: A Book of Changes (Norton/DoubleTake, 1996), Mitch Epstein: Work (Steidl, 2006). Siddharta Deb Siddharta Deb was born in 1970 in North East India. His first novel, The point of return, was selected as Book of the Year by The Times Literary Supplement and The New York Times. His last novel, An Outline of the Republic (published in England and India as Surface) has just been published in paperback. He has written on India for the Boston Globe, the Columbia Journalism Review and the Guardian. Pierre Charpin A graduate of L’Ecole Nationale des Beaux-Arts in Bourges, Pierre Charpin is known for his atypical designs charged with a strong plasticity, making him one of the leading figures in the avant-garde of French design. In tandem with his limited editions, and prototypical studies, he collaborates with various companies as Post Design, Zanotta, Montina, Venini, Alessi… He was awarded Designer of the Year at the Furniture Salon in Paris 2005. Description: 7 original signed photographs (chromogenic prints), set in photo-corners Case made of poplar wood, partially lacquered 58,8 x 42,6 x 4,9 cm Text in French and English Limited edition of 35 copies Juin 2006 Graphic design: Olivier Andreotti

Price Upon Request

Mitch Epstein | Fraternity | 2006 | Zucker Art Books
Julius Klinger Hanns Anker, Die Groteskline im Ornament und in die Dekoraionsmalerei
1901
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Julius Klinger Hanns Anker
Die Groteskline im Ornament und in die Dekoraionsmalerei, 1901
357

Julius Klinger and Hanns Anker. 64 color lithograph plates with 422 motifs for painters to see many different possible designs using the included mirror which gave the viewer a 3-D impression of a room. Some minor wear to outer folder, otherwise in good condition.

Price Upon Request

Julius Klinger Hanns Anker | Die Groteskline im Ornament und in die Dekoraionsmalerei | 1901 | Zucker Art Books
Kitao (Keisai) Masayoshi, Keisai Soga
1820
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Kitao (Keisai) Masayoshi
Keisai Soga, 1820
3063-BK

10 5/8 x 7 1/4 in. (27 x 18.5 cm)

Albrecht Durer's (1471-1528) drawing of a geometrical man was an amazing--startling, even--object to the early 16th century consciousness. His "Symmetria partium" humanorum corporum (1537) was a masterpiece, and a key piece of revolutionary visionary thinking. The first two pages of this book are both front and back of a man on a grid very similar to that of Durer. Masayoshi cleverly illustrates men and women on different activities as wrestling, dancing, fishing, horse riding fighting, and daily chores. Also there are images of an octopus and flowers as well. A very fine copy with very subtle color printing.

Price Upon Request

Kitao (Keisai) Masayoshi | Keisai Soga | 1820 | Zucker Art Books
Dieter Roth, Collected Works, Volume 10.  Daily Mirror (Special Edition). Deluxe edition
1970
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Dieter Roth
Collected Works, Volume 10. Daily Mirror (Special Edition). Deluxe edition, 1970
4063-BK

9 x 6 3/4 in. (23 x 17 cm)

Variant of 'quadrat print' published by de Jong Hilversum, 1965. 472 pages.. Offset. Stitched softback. Printed by Staib + Mayer Stuttgart. Published by edition Hansjorg Mayer, Cologne, London, Reykjavfk, 1970. 1000 copies of which 100 copies in multiple designed by the author painted corrugated cardboard. Numbered with 2 signed miniature books. 2 x 2 x 2 cm cut out of 'daily mirror' newspapers.This is the edition number 52 of 100. DR. CW. 20 # 43.

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Dieter Roth | Collected Works, Volume 10. Daily Mirror (Special Edition). Deluxe edition | 1970 | Zucker Art Books
Dieter Roth, Quadrat Print
1965
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Dieter Roth
Quadrat Print, 1965
1188

9 7/8 x 9 7/8 in. (25 x 25 cm)

60 loose sheets printed on both sides offset. Printed and published by steendrukkerij de jong Hilversum. 1000 copies promotion piece enlargements from 'daily mirror book'. Inside a folded page with the quote " Note from the editor to this Quadrat-Print.Dieter rot wrote me from reykjavik, iceland: They are part of a group of books I made in the year 1962 out of a bunch of Daily Mirrors”. “Instead of showing quality ( surprising quality) we show quantity ( surprising quantity). I got the idea ( Quantity instead of Quality) in this way: “QUALITY” in Business (f.i. advertising) is just a subtle way of being Quantity-minded. Quality in advertising wants expansion and ( in the end) power = Quantity. So, let us produce Quantities for once!”The editor". This copy has being shipped to 'De Heer H. de Leuw in Amsterdam.. DR. CW. 20 # 20. 25 x 25 cm

Price Upon Request

Dieter Roth | Quadrat Print | 1965 | Zucker Art Books
Dieter Roth, bok 3a
1961
6 / 8

Dieter Roth
bok 3a, 1961
13363-BK

7 x 7 3/8 x 1 1/2 in. (18 x 19 x 4 cm)

Original plain wrappers with title label pasted to front, adhesive binding. A book block composed of approx. 300 leaves from Icelandic daily newspapers; the contents, with their cyclical repetitions, suggest that a stack of remainder newspapers was cut to size to form the book block. Edition of 200 copies, with approx. only 50 of those ever being made. Numbered and signed by Roth on the front cover. Copy #12 of 200. This copy inscribed to a friend with a quote from Goethe - "wie es auch sei, das leben, es ist gut" (No matter what, life is good). Assembled from found material in the printshop, these books were issued in small editions, each volume unique, as the contents were dictated by what was available in the printshop floor at the time

Price Upon Request

Dieter Roth | bok 3a | 1961 | Zucker Art Books
Dieter Roth, Dagblegt Bull - Daily-BÁ»l No. 8.
1961
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Dieter Roth
Dagblegt Bull - Daily-BÁ»l No. 8., 1961
1320

1 1/4 x 1 3/8 in. (3.3 x 3.6 cm)

no 8 of the review 'daily bul'. Published by A. Balthazar and P. Bury. La Louviere. Approx 150 sheets cut out of coloured offset. Run-up sheets. Adhesive binding papercover. cardboard box. correct title 'daglegt bull'. DR. CW. 20 # 17.

Price Upon Request

Dieter Roth | Dagblegt Bull - Daily-BÁ»l No. 8. | 1961 | Zucker Art Books
Thomas Ruff, Inspecteur des Sous -Sols
2009
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Thomas Ruff
Inspecteur des Sous -Sols, 2009
3332-BK

VOL. 17 Thomas Ruff photographs Fabio Morabito text Barber & Osgerby case In Underground Inspector, writer Fabio Morabito gives his take on the relationship enjoyed by East and West Germany before the fall of the Berlin Wall, with the distance and peculiar poetry that characterize his prose. He describes the daily life of an East Berlin underground inspector, a philandering husband forced by his profession – and his incontinence – to repeatedly walk across the Wall underground, since “the subsoil knows no political frontier”. After the fall of the Wall, the inspector vanishes, leaving nothing behind him save eight photographs that picture his mistresses’ homes. In order to build a perfectly smooth, airtight steel plank that mirrors the no-way-out constructions photographed by Thomas Ruff, Edward Barber and Jay Osgerby borrowed a process from the automobile industry that enabled them to machine the aluminium with the precision of a micron. Thomas Ruff Thomas Ruff was born in 1958 in Zell am Harmersbach, Germany, one of six children. He has become a leading figure in contemporary art. His personal style of photography is characterized by a distancing from the subject, in particular in the series of portraits that became known internationally and in which he has photographed his family and friends, always taken in frontal view on eye level. His work has been exhibited in numerous museums and galleries, among which the Chabot Museum in Amsterdam and the Zwirner & Wirth Gallery in New York. On the basis of his experience in producing the Portrait Series, Thomas Ruff returned to an idea that had already occured to him while working on the interiors : to shoot the exteriors of buildings. He selected unspectacular, ordinary buildings built between the 1950’s and 1970’s in and around Dusseldorf. To be able to shoot undisturbed, he worked in the early hours of the morning and mostly from January to March, a procedure that allowed him to take advantage of the neutral background of the fequently uniform grey skies at that hour and season in Central Europe. Fabio Morabito Poet, short story writer, essayist and translator, Fabio Morabito was born in 1955 in Alexandria (Egypt) to Italian parents. He lived in Milan until the age of 15 then emigrated to Mexico, where he started writing in Spanish. Considered one of the most original voices in contemporary Mexican literature, he is the author of several short story and poetry collections, including Lotes Baldios (which won the Carlos Pellicer prize in 1995), La vida Ordenada (2000) and Grieta de fatiga (date??), which were all received to critical acclaim. Barber & Osgerby Edward Barber (born in Shrewsbury in 1969) and Jay Osgerby (born in Oxford in 1969) have worked together since meeting as students at the Royal College of Art in 1992. One of their first collaborative projects was the Loop Table, a deceptively simple coffee table with a birch ply top looping around the base, which was produced first by Isokon Plus in the UK, then by Cappellini in Italy. Barber & Osgerby have developed collections for a large number of clients and manufacturers such as Flos, Magis, Cappellini, Coca-Cola, Levi’s , Panasonic, Authentics, Pantone, Swarovski, Venini and Established & Sons, among others. They have also designed furniture for public interior spaces such as The De La Warr Pavilion, the Royal Institute of British Architects and the St. Thomas Cathedral in Portsmouth, England, and sculptural pieces for public spaces including Greenwich Park. Barber & Osgerby’s designs can be found in the permanent collections of the Victoria & Albert Museum in London, the Art Institute of Chicago, and the Metropolitan Museum of Art in New York. Description: 8 original signed photographs (Chromogenic prints), set in photo-corners Case made of cast aluminium 36,5 x 29,5 x 3,5 cm Text in English and French Limited edition of 40 copies November 2009 Graphic design: Olivier Andreotti

Price Upon Request

Thomas Ruff | Inspecteur des Sous -Sols | 2009 | Zucker Art Books
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