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Mitch Epstein
Fraternity, 2006
1836
vol. 7 Mitch Epstein photographs Siddharta Deb text Pierre Charpin case The author describes the daily life of two students at the University of Calcutta who come from very different social backgrounds, which they are both trying to escape from. The minute detail in which the author records their physical and mental movements and every change in mood finds its resonance in the refined prosaic nature of Mitch Epstein’s photographs. Pierre Charpin designed a traycase with a blue lacquered lid as an echo of the photographer’s strong emphasis on color and his ties with the Memphis movement. The text is fractured into seven modules, each contained within a uniform yellow form whose outlines recall the design of the casing. Mitch Epstein Mitch Epstein was born in 1952 in Holyoke, Massachusetts. His is one of the pioneers of color photography in the United States. His photos have been exhibited in numerous institutions throughout the world and form part of such prestigious collections as the Metropolitan Museum, New York, the MOMA and the Whitney Museum of American Art, New York. To this day he has had five books published: Recreation: American Photographs 1973-1988 (Steidl, 2005), Family Business (Steidl, 2003), The City (powerHouse Books, 2001), Vietnam: A Book of Changes (Norton/DoubleTake, 1996), Mitch Epstein: Work (Steidl, 2006). Siddharta Deb Siddharta Deb was born in 1970 in North East India. His first novel, The point of return, was selected as Book of the Year by The Times Literary Supplement and The New York Times. His last novel, An Outline of the Republic (published in England and India as Surface) has just been published in paperback. He has written on India for the Boston Globe, the Columbia Journalism Review and the Guardian. Pierre Charpin A graduate of L’Ecole Nationale des Beaux-Arts in Bourges, Pierre Charpin is known for his atypical designs charged with a strong plasticity, making him one of the leading figures in the avant-garde of French design. In tandem with his limited editions, and prototypical studies, he collaborates with various companies as Post Design, Zanotta, Montina, Venini, Alessi… He was awarded Designer of the Year at the Furniture Salon in Paris 2005. Description: 7 original signed photographs (chromogenic prints), set in photo-corners Case made of poplar wood, partially lacquered 58,8 x 42,6 x 4,9 cm Text in French and English Limited edition of 35 copies Juin 2006 Graphic design: Olivier Andreotti
Price Upon Request
Thomas Ruff
Inspecteur des Sous -Sols, 2009
3332-BK
VOL. 17 Thomas Ruff photographs Fabio Morabito text Barber & Osgerby case In Underground Inspector, writer Fabio Morabito gives his take on the relationship enjoyed by East and West Germany before the fall of the Berlin Wall, with the distance and peculiar poetry that characterize his prose. He describes the daily life of an East Berlin underground inspector, a philandering husband forced by his profession – and his incontinence – to repeatedly walk across the Wall underground, since “the subsoil knows no political frontier”. After the fall of the Wall, the inspector vanishes, leaving nothing behind him save eight photographs that picture his mistresses’ homes. In order to build a perfectly smooth, airtight steel plank that mirrors the no-way-out constructions photographed by Thomas Ruff, Edward Barber and Jay Osgerby borrowed a process from the automobile industry that enabled them to machine the aluminium with the precision of a micron. Thomas Ruff Thomas Ruff was born in 1958 in Zell am Harmersbach, Germany, one of six children. He has become a leading figure in contemporary art. His personal style of photography is characterized by a distancing from the subject, in particular in the series of portraits that became known internationally and in which he has photographed his family and friends, always taken in frontal view on eye level. His work has been exhibited in numerous museums and galleries, among which the Chabot Museum in Amsterdam and the Zwirner & Wirth Gallery in New York. On the basis of his experience in producing the Portrait Series, Thomas Ruff returned to an idea that had already occured to him while working on the interiors : to shoot the exteriors of buildings. He selected unspectacular, ordinary buildings built between the 1950’s and 1970’s in and around Dusseldorf. To be able to shoot undisturbed, he worked in the early hours of the morning and mostly from January to March, a procedure that allowed him to take advantage of the neutral background of the fequently uniform grey skies at that hour and season in Central Europe. Fabio Morabito Poet, short story writer, essayist and translator, Fabio Morabito was born in 1955 in Alexandria (Egypt) to Italian parents. He lived in Milan until the age of 15 then emigrated to Mexico, where he started writing in Spanish. Considered one of the most original voices in contemporary Mexican literature, he is the author of several short story and poetry collections, including Lotes Baldios (which won the Carlos Pellicer prize in 1995), La vida Ordenada (2000) and Grieta de fatiga (date??), which were all received to critical acclaim. Barber & Osgerby Edward Barber (born in Shrewsbury in 1969) and Jay Osgerby (born in Oxford in 1969) have worked together since meeting as students at the Royal College of Art in 1992. One of their first collaborative projects was the Loop Table, a deceptively simple coffee table with a birch ply top looping around the base, which was produced first by Isokon Plus in the UK, then by Cappellini in Italy. Barber & Osgerby have developed collections for a large number of clients and manufacturers such as Flos, Magis, Cappellini, Coca-Cola, Levi’s , Panasonic, Authentics, Pantone, Swarovski, Venini and Established & Sons, among others. They have also designed furniture for public interior spaces such as The De La Warr Pavilion, the Royal Institute of British Architects and the St. Thomas Cathedral in Portsmouth, England, and sculptural pieces for public spaces including Greenwich Park. Barber & Osgerby’s designs can be found in the permanent collections of the Victoria & Albert Museum in London, the Art Institute of Chicago, and the Metropolitan Museum of Art in New York. Description: 8 original signed photographs (Chromogenic prints), set in photo-corners Case made of cast aluminium 36,5 x 29,5 x 3,5 cm Text in English and French Limited edition of 40 copies November 2009 Graphic design: Olivier Andreotti
Price Upon Request
