Edition Artists Book Fair 2013

Christo
Store Front, 1965-8
4074-OR

Work from SMS portfolio

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Herman DeVries
On The Beach-Morocco 2006, 2006
3548-BK

66 pages ; edition 36, numbered and signed. Title-page and 33 pages each with a photo in colour, back-page with imprint, numbering and signature, japanese binding, in white cardboard box with title on spine. 32 × 21 × 2.7 cm

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Marcel Duchamp
Bewogen Beweging, Moving Movement, 1961
1665

The occasion was a famous exhibition of avant-garde art in Amsterdam in 1961, 'Bewogen Beweging' (Moving Movement.)

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Marcel Duchamp
Marchand du Sel, 1958
2232

5 7/8 x 8 7/8 in. (15 x 22.5 cm)

Writings of Duchamp, includes two page glassine foldout La Mariee a Nu par ses Celibataires. Uncut in very fine condition. 1 of 40 copies signed by Duchamp.

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Robert Filliou
Je Meurs Trop, 1977
3774-OR

9 1/8 x 4 3/8 x 1 1/8 in. (23.3 x 11 x 3 cm)

A brown brick with a white label attached and a grey/green label with white print wrapped around the brick. The numbers 22,11,30 are etched in the brick. Signed and numbered by the artistin an edition of 50. Text is in French by Antonin Artaud. Fireproof brick.

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Lucio Fontana
Portrait d'Antonin Artaud by Otto Hahn, 1968
3780-BK

The book uncut along with signed and numbered "LF"pink elliptical multiple. 1/150 copies.

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Gotthard Graubner
Untitled, 1965
4184-PR

19 5/8 x 25 5/8 in. (50 x 65 cm)

monotype, 50x65cm

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Gotthard Graubner
Untitled, 1964
4183-PR

9 7/8 x 7 1/8 in. (25 x 18 cm)

sponge gouache from 1964, 25x18cm

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Maurice Henry
Le petit Incendiaire, 1965
3828-BK

11 x 11 in. (28 x 28 cm)

hommage a Rene Daumal. Copy n 62 of 111. edition MAT MOT n 3. Signed by the artist

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Piero Manzoni
Manzoni (Moenchengladbach Box), 1969
3487-BK

boxed catalogue, with text and 22 black and white offset images, in clear plastic box with eight indents. 8 1/8 X 6 3/8 X 1 1/8 in. (20.64 X 16.19 X 2.86 cm)

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Piero Manzoni
Piero Manzoni: Life and Work, 1969
904

7 1/8 x 6 1/8 in. (18 x 15.5 cm)

Softcover, mylar, bound by plastic clip. Except for the title page, the book is blank. Signed by Jes Petersen who originally published it in 1963. Reference: p. 265, "Piero Manzoni", published by Priero Editore, Milan, 1989; 20 Jes Petersen Germany artist’s book. Edition of 100 copies.

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Piero Manzoni
Nul Negentienhonderd deel 1 = 2, 1965
4158-BK

[publisher: Stedelijk Museum Amsterdam 1965] Exhibition catalogue in two volumes. Texts in dutch, french and italian, 4to, wrappers, n.p., illus., very good copies. Rare. [Den Haag, ., Netherlands]

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Piero Manzoni
Tentoonstelling nul : Stedelijk Museum Amsterdam : 9-25 Maart 1962., 1962
4147-BK

exhibition catalogue

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Piero Manzoni
Manzoni Life and Works Announcements
4148-BK

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Multiple Artists IT
Zero Set 1 + 2 +3, 1958-61
4137-BK

Full Set of Zero magazine. Manifestos were often published in association with the shows, such as Zero 1 (1958), Zero 2 (1958), and Zero 3 (1961). These included texts in multiple languages written by artists and curators active in the Zero circle who sought to define what they termed "The New Artistic Conception." Otto Piene said Zero was "a zone of silence and of pure possibilities for a new beginning."

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Bruno Munari
Libro Illeggible N.Y.1, 1967
3372-BK

8 5/8 x 8 7/8 in. (22 x 22.5 cm)

This is a unique book designed by Bruno Munari especially for The Museum of Modern Art. It is one of a group of books in which visual discourse, rather than a text composed of words, carries the thread of the story... -- from publisher's statement. Text in Italian and English. This is the absolute first copy in the edition, #1 of 644.

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Eduardo Paolozzi
General Dynamic Fun., 1965-70
3824-BK

15 1/8 x 10 1/4 in. (38.5 x 26 cm)

Paolozzi's canny alchemy is vividly apparent in General Dynamic F.U.N, a series of fifty screenprints and photolithographs created between 1965 and 1970. Here Paolozzi employs the technologies of mass-reproduction and gorges on its idols – the household names and familiar faces of consumer advertising, high fashion and Hollywood. The prints, which bear idiosyncratic titles such as 'Totems and Taboos of the Nine-to-Five Day'; 'Twenty Traumatic Twinges' and 'Cary Grant as a Male War Bride', do not occupy a rigid sequence but can be assembled and viewed in any order. For Paolozzi, the modern age, exposed as ephemera, is a necessarily fragmented collision of visual stimulus and influence, and his work is a 'health warning for an uncreative and thriftless society'.

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Otto Piene
Ohne Titel, 1960/61
4121-PH

13 3/4 x 13 3/4 in. (35 x 35 cm)

Unique silver gelatin print made from a diazotype negative.

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Otto Piene
Ohne Titel, 1959/60
4120-PH

15 3/4 x 11 3/4 in. (40 x 30 cm)

Unique diazotype

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Ed Ruscha
BOOKS, 1970
4170-BK

Galerie Heiner Friedrich- first book show of Ruscha

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Ed Ruscha
Ruscha set W/stains, 1963-78
994

Twentysix Gasoline Stations Various Small Fires Some Los Angeles Apartments,Every Building on the Sunset Strip Thrityfour Parking Lots, Royal Road Test Business Cards Nine Swimming Pools Stains Crackers Babycakes Real Estate Opportunities A Few Palm Trees Dutch Details Records Colored People Hard Light Note that Business Cards & Stains are signed as issued. Additional books included: Billy, Edward Ruscha Green Small Book with Foster/Ruscha Cards all in 19 plexi boxes.

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Jesus Soto
Untitled, 1969
4188-SC

sculpture edition of 300

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Daniel Spoerri
Untitled( Objects from Anecdoted Topography of Chance, 1962), 1968
3960-PR

This print is of all the objects DS described in his book from 1962, Topographie Anécdotée* du Hasard (Anecdoted Topography of Chance)- In connection with a one man show of his snare-pictures at the Galerie Lawrence in Paris in 1962, Spoerri wrote his Topographie Anécdotée* du Hasard (Anecdoted Topography of Chance). Spoerri was then living at the Hotel Carcassone in Paris, in room number 13 on the fifth floor. To the right of the entrance door was a table which his wife Vera had painted blue. Spoerri drew on a ‘map" the overlapping outlines of all the 80 objects that were lying on the table on 17 October 1961 at exactly 3:47 p.m. Each object was assigned a number and Spoerri wrote a brief description of each object and the memories or associations it evoked. The descriptions cross referenced other objects on the table which were related. The Topographie Anécdotée* du Hasard was printed as a small pamphlet of 53 pages plus a fold out map and index and was distributed as an advertisement for the exhibit. The Topographie Anécdotée* du Hasard is more than just a catalog of random objects, however; read in its entirety, it provides a coherent and compelling picture of Spoerri's travels, friends and artistic endeavors.signed and dedicated in 1968

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Daniel Spoerri
Topographie Anecdotee Du Hasard/ Anecdoted Topography of Chance, 1962
3752-BK

The Topographie Anécdotée du Hasard was printed as a small pamphlet of 53 pages plus a fold out map and index and was distributed as an advertisement for the exhibit. The Topographie Anécdotée du Hasard is more than just a catalog of random objects, however; read in its entirety, it provides a coherent and compelling picture of Spoerri's travels, friends and artistic endeavors.

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Daniel Spoerri
Edition Mat-Multiplication d'Oeuvres D'Art, 1959
3931-BK

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Victor Vasarely
Diem, 1984
99

9 Serigraphs, each signed and numbered in pencil

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Victor Vasarely
Niolc-c, Hexa-Fra, Del- Kelet, Koska-Sin, 1975
3322-PR

4 signed prints - 17.5x16.5 inches #12/175

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Victor Vasarely
Code ( Les Bleus), 1967
2234

15 3/8 x 11 3/8 in. (39 x 29 cm)

Eight original silkscreens, each signed, on pale cream wove BFK Rives paper, enclosed in custom cloth clamshell box with the book "Code" by Jean-Clarence Lambert. Published by Le Soleil Noir, Paris.

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Victor Vasarely
Epsilon gold, 1964
4185-PR

First multiple, edition of 17, 37x37 cm

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Victor Vasarely
Naissances, 1963
3833-BK

11 3/4 x 8 1/4 in. (30 x 21 cm)

Rare artist book with two signed prints. Edition number 4 of 450 from Galerie Der Spiegel. Koln. With a sweet inscription to the famous French Surrealist poet Alain Bosquet in the year of publication.

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