Alois Auer
Copper Plate for Nature Printing, 1856
13432-OR
17 1/4 x 11 3/8 in. (44 x 29.2 cm)
Copper plate used to print Auer's nature printing technique
Price Upon Request
Pia Camil
Xiuquilla/Blue milk weed, 2017
09931-BK
19 5/8 x 19 5/8 in. (50 x 50 cm)
Hand sewn cotton leporello book, with screenprinting, in cloth box with colophon.
Published by Zucker Art Books, NY. Edition of 8 variants, with 2 AP.
Each copy is signed and numbered.
Each book is handmade from repurposed fabrics the artist found in Mexico City. Camil’s interventions include cutting shapes common in cloth making such as sleeves, collars, torsos, and recombining them in a colorful array, hand sewn into a double sided sequence. She designed small buttonholes in between the panels so the work can be hung as a banner as well, choosing either side. This sort of interaction between the work and the viewer is a key element throughout Camil’s oeuvre, which even includes works to be worn or walked on.
Pia Camil (b. 1980) lives and works in Mexico City. She has a BFA from the Rhode Island School of Design and an MFA from the Slade School of Fine Art, London. Her work has been exhibited internationally, with recent solo-exhibitions including A Pot for a Latch, New Museum, New York (2016); Skins, Contemporary Arts Center, Cincinnati (2015); The Little Dog Laughed, Blum & Poe, Los Angeles (2014); and Cuadrado Negro, Basque Museum Centre for Contemporary Art, Vitoria-Gasteiz, Spain (2013).
Price Upon Request
Francesca Fathom
Algotipi Acquatici, 2024
13622-PR
8 1/4 x 14 3/4 in. (21 x 37.6 cm)
8 Pigment prints on Fabriano paper housed in custom folder. Edition of 12 with 3 Aps. Each signed and numbered on recto
Price Upon Request
Adam Fuss
Untitled, 2020
13620-PR
20 x 13 in. (50.8 x 33 cm)
Spore on paper
(AFF83)
Price Upon Request
Glithero Studio
Kelp Vase, 2012
13132-OR
19 5/8 x 17 1/4 x 17 1/4 in. (50 x 44 x 44 cm)
Unique silver gelatin impression on hand turned porcelain
Price Upon Request
Glithero Studio
Seaprint A Dyptich, 2012
13175-PR
77 7/8 x 25 1/2 in. (198 x 65 cm)
cyanotype artwork in two parts
Price Upon Request
Miyakoshi Seinosin
Honbafukizuri, 1862
13212-OR
16 7/8 x 17 5/8 in. (43 x 45 cm)
Nature Print of Petasites Japonicus, also known as Butterbur.
leaves on cloth. Very rare.
Price Upon Request
Adam Pendleton
Anthology #23, 2018
12262-BK
18 1/2 x 14 1/4 x 2 in. (47 x 36.2 x 5.1 cm)
Large folio with 200 compositions and a unique cover. Isolated photographs and fragments photocopied from the pages of books are layered with marks, dashes, patterns, shapes, and handwriting that frequently verges on abstraction. Each composition is unique, but many elements iterate and recombine throughout the series: masks, ceramics, phrases (“WHAT A DAY WAS THISâ€; “IF THE FUNCTIONâ€), and historical images related to modernism and decolonization in Africa. The book, which collates the works in chronological sequence, encourages readers to track these recurring components as they phase in and out across the book’s 200 pages.
The compositions are directly related to Pendleton’s collages on mylar and the book translates and indexes these source collages which are usually printed on transparent film whereas in Anthology they have been silkscreened onto Shoji paper. Reflecting on the combinatorial nature of the compositions, each book has a unique cover: a patterned black-and-white canvas fabric, screen printed with one of four handwritten texts.
Copy n 23 of 24
Price Upon Request
Maria-Aurelia Riese
Bread, 2021
13621-PR
18 x 18 in. (46 x 46 cm)
Unique print on Carbon paper using graphite to make the impression of the object.
Price Upon Request
Maria-Aurelia Riese
Salad Pussy, 2021
13628-OR
11 3/4 x 16 1/2 in. (30 x 42 cm)
Artists Book. With 24 prints with text bound in Cloth boards by the artist.
Price Upon Request
Michele Rodda
Untitled, 2019
13587-OR
28 x 57 1/2 in. (71.1 x 146.1 cm)
print 4 panel
Price Upon Request
Dieter Roth
book t1, 1959 facsimile AP TBD, 2022
13480-BK
8 5/8 x 8 5/8 in. (22 x 22 cm)
Roth’s serial project Book (1958-64) is comprised of over 30 interactive works that exemplify the precision of concrete aesthetics. Book t1 is one of the first created for this series, constructed of twenty-five sheets with hand-cut slots cut at angles. Each loose sheet is 19x19 cm. Fifteen of these are thick, transparent Mylar in red, blue, and yellow, and ten are heavy white stock. The original work is housed in a custom black case with author and title typed on the spine in black and red. The title page includes the artist’s signature, fingerprint, and date (October, 1959). This facsimile edition holds true to the original—hand-crafted in an edition of only 30 copies, and housed in a slipcase.
Book t1’s greatest intrigue is a singular experience created through the actions it invites: opening, touching, looking, flipping, layering, rotating, manipulating, arranging. Countless playful compositions are created by handling the work. Materiality and empty space serve as the content, and the reader creates dynamic activity between these. Elements confined to one page synthesize with individual elements, not only on the next page, but with several subsequent pages simultaneously. The resultant effect of handing Book t1 underscores the conceptual notion that reading should not be a passive act, but rather a creative one.
Price Upon Request
Dieter Roth
bok 4a, 1961
13190-BK
15 5/8 x 11 in. (40 x 28 cm)
artists book approx. 80 pages, letterpress on double sheets, spiral binding. Copy # 3 of 100. Inscribed "for Einar Bragi 16.2.61"
Price Upon Request
Dieter Roth
Untitled (Puzzle), 1961
6503-PR
22 1/16 x 22 3/4 in. (56.1 x 57.8 cm)
50 Pavetex equilateral triangles; white silkscreen.
Provenance: Dadi Wirz
Price Upon Request
Kiki Smith
Hunters and Gatherers, 2003
13159-BK
21 in. (53.3 cm)
Folio in publisher's full black floral patterned damask-covered portfolio with Haikus by Susanna Moore and 7 etchings with aquatint, each plate signed and dated by the artist. Additionally signed by Smith and Moore at the colophon. Oaxaca :Carpe Diem Press
Price Upon Request